§ 2018.1 This is an Internet reissue of Cædmon’s Hymn: a multimedia edition and archive (Cambridge: Medieval Academy, Boydell and Brewer, 2005). It contains the complete text of the CD-ROM that accompanied the 2005 publication. The CD-ROM, in turn, contained the complete text of the book with additional resources including manuscript facsimiles, interactive editorial texts and apparatus, and extensive linking.
§ 2018.2
The text is a reissue, rather than a new
edition. It contains both the original HTML and Standard General Markup Language (SGML)
files included on the CD-ROM. Some corrections have been made to the original HTML files
to correct minor errors of coding and in the underlying metadata in the HTML (metadata
on the HTML files on the 2005 incorrectly identified the copyright and version status,
for example, and there was a consistent error in the way lists were tagged in the HTML).
In addition, all private use code points from the original edition have been converted
to standard Unicode points. With the exception of these changes, modifications to the
navigation to reflect the new environment (files originally ending in .htm
now end in .html
and the files system.htm[l]
and
installation.htm[l]
have been moved from the original top-level of the
CD-ROM to the top directory of the HTML), and the addition of this preface and an
addendum to the bibliography containing works cited here, however, the files reproduced
in this website are exactly the same as those published on the CD-ROM. For those
interested in the original disk image, an ISO of the original disk has been archived
with OPUS, the University of Lethbridge's Institutional Repository (http://hdl.handle.net/10133/5085).
§ 2018.3 The original edition was largely complete before the widespread adoption of open XML tools. The HTML, therefore, was generated from the SGML master files using a complex, jury-rigged system that required the Multi-Doc SGML browser and a set of Emacs macros (see O'Donnell and van Egmund 1999). For this reissue, corrections to the HTML have been made by hand, however, and no modifications have been made to the SGML originals. In future editions, it is hoped, we will be able to convert the SGML to modern eXtensible Markup Language (XML), allowing for more complex processing. In the meantime, however, the SGML files are exactly the same as those published with the CD-ROM.
§ 2018.4 The original edition of Cædmon’s Hymn: a multimedia edition and archive was intended as an experiment in publishing. Unique among the volumes published by SEENET at the time, it was published as both a CD-ROM and a print volume (the two parts were sold together). The goal of this format was to take advantage of the relative advantages of each medium: the flexibility and dynamism of HTML and the ease of consultation and portability of paper publication. This decision was prompted in part by our experience during the refereeing process, when we found that referees who were given the CD-ROM alone appeared to miss significant parts of the edition's contents (for a discussion of the background to this issue and the rationale for the edition's publication and format, see O'Donnell 2010).
§ 2018.5 Because the original edition is cited as both a work of Anglo-Saxon Scholarship and an experiment in "electronic publishing," we have decided in this reprint to maintain references to the original format, particularly in the original "Preface" and "Conventions, symbols, and encoding" chapters. For the same reason, we have republished the "System requirements" and "Installation Instructions" chapters, even though these have been entirely superseded in the case of this web publication. A brief bibliography of discussions of the original publication, including known reviews, can be found in the addendum to the works cited.
§ 2018.6 Since the original edition was published, much has changed in what we now call digital scholarly editing and publishing. Edition formats and expectations have become increasingly standardised and there is now excellent software and tools available for both developing and consulting electronic editions (e.g. Burghart 2016; Rosselli Del Turco et al. 2013). Where things are less standardised is in the publication practices for web-based scholarly editions, particularly when it comes to best practice in the use of identifiers, URLs, licences, and versioning (see Copland et al 2016).
§ 2018.7 Just as the original publication of this edition attempted to implement best-practice in edition design, this Internet reissue is attempting to implement best practice when it comes to web-based publication: the site has been published using GitHub and Github Pages, guaranteeing clear version control, permanent and free access to and archiving of the original files for each release, and a lightweight server; it is also archived via Zenodo, the European Union's Data repository, ensuring that individual versions are permanently and easily identified through a unique Digital Object Identifier (DOI).
§ 2018.8 As a result of this approach to storage and publishing, there are several ways to cite this edition, depending on your purpose.
§ 2018.9 If your purpose is to cite to direct human readers to the current version of the edition, then you should cite the display text published via GitHub Pages. The URL http://caedmon.seenet.org/index.html always displays the latest version of the display text (the edition is also archived at the Internet Archive at https://web.archive.org/web/http://caedmon.seenet.org/index.html). When an update is released, the new version will replace the old at the SEENET URL with a change in the version number on the title page to indicate that an update has been released (the Internet Archive captures regular dated snapshots of the edition).
§ 2018.10 Here are some example citation formats for the initial Internet edition (version 1.1). If the version number on the title page has changed, you should update the edition information in the citation accordingly.
@BOOK{ODonnell2018-qx,
title = "C{\ae}dmon's Hymn: A
multimedia study, edition and archive",
author = "O'Donnell, Daniel
Paul",
publisher = "SEENET",
volume = "A.8",
series =
"SEENET",
edition = "1.1 Internet Reprint",
year = 2018,
url = "http://caedmon.seenet.org/index.html"
}
§ 2018.11 You can also use Zenodo and GitHub to cite the code used to produce the edition or to direct readers to a previous version of the display text. This is because Zenodo assigns a DOI to the project as a whole (10.5281/zenodo.1198856) and to each official release (e.g. Version 1.1 Beta 5: https://doi.org/10.5281/zenodo.1220238). Because the entire code for each release is preserved in this fashion, users can recreate any published version of the display text, simply by downloading the code associated with that release.
§ 2018.12 Here are some examples of citation formats for the code for the final SEENET pre-release (Version 1.1 Beta 5 (SEENET Pre-Release). https://doi.org/10.5281/zenodo.1220238). If you want to refer simply to the latest version (i.e. you are not discussing any specific release), use the project DOI 10.5281/zenodo.1198856. This always resolves to the latest version of the text and corresponds to the code used for the current display version.
@MISC{ODonnell2018-ab,
title =
"C{\ae}dmon's Hymn: A multimedia study, edition, and archive
internet
edition. Version 1.1 beta 5 ({SEENET} pre-release)",
author =
"O'Donnell, Daniel Paul",
month = apr,
year = 2018,
url =
"https://zenodo.org/record/1220238",
doi =
"10.5281/zenodo.1220238"
}
§ 2018.13 The acknowledgements for the original edition can be found below (§ i.7). In addition, thanks are due in the case of this reprint to Titi Babalola, who managed the rights clearances for the reprinted images, and Gurpreet Singh, who managed my lab and assisted with researching the conversion process. The editors at SEENET, particularly Tim Stinson and Paul Broyles, have also been extremely helpful and encouraging. Manuscript images on the CD-ROM are reproduced with permission of the following copyright holders:
§ 2018.14 Finally, as with the first edition of this work, I owe a deep debt to my family: my children, Bouke and Kaatje, my parents Maureen and the late Patrick O’Donnell, parents-in-law Piet Genee and Jeane Lek, and above all my wife, Inge Genee. They have had less to endure in the case of this reprint than in that of the first edition, but all have been a source of support.
Lethbridge, March 7 (St. Esterwine), 2018.